Bluesky, Jack Dorsey’s group working on a decentralized web protocol, has released the AT Protocol, with some documentation and chance to sign up for a beta – I will wait until there are some apps to play with…
October 2022
What is the independent web?
I got a comment from a reader yesterday asking what I meant by the phrase “the independent web” in my previous post. In my post, I defined it as “websites and web presences that are not part of a silo like Twitter, Facebook, etc, where people own their data and control it”. An extension of this is using technologies like RSS for checking for site updates and for podcasting, which are not controlled by another platform (even though entities like Spotify and other streaming services would like to “capture and keep users” within their ecosystems). Wanting to double-check, I did some searching to see if there were other references to this phrase. and found a number of links I will add at the end of this post. To me, the key aspect of “independent web” is not being dependent on a silo (like Twitter or Facebook). This can be self-hosting or hosting on a service that provides good export (Micro.blog as an example). I recently wrote a post about how easy should it be to create a website, based on a discussion between several bloggers. The key point of that discussion, to me, was that Twitter/Facebook provides ease of use/setup/no cost, but also a lack of control. To me, if you want to have an independent site, you should be prepared to pay something for it, and the cost of hosting a weblog or website is pretty low. Finally, to me, the use of the term “IndieWeb” has grown somewhat beyond this “independent web” definition to include using technologies like Webmention as part of a website to site-to-site communication. Again, to me sites don’t have to use Webmention to be considered part of the independent web. I hope this helps answer the question my reader had.
Other links on “the independent web”:
Business Insider – The Independent Web
John Battelle – Identity and the Independent Web
Web Designer Depot – What is the Independent Web and Does It Matter in 2021?
Victoria Drake – Make your own independent website
The History of the Web – Toward an independent web
Mental Pivot – Support the independent web
What about the IndieWeb and RSS?
Dave Winer wrote a post with the title “IndieWeb should love RSS” recently, with one of the themes being that the IndieWeb has a lack of support for RSS. I would like to provide a little background from my participation in the IndieWeb community.
In January 2014, I attended a Homebrew Website Club meeting. This was (and still is) a gathering of like-minded people to discuss personal websites and making updates to them. The lead person was Aaron Parecki, one of the IndieWebCamp co-founders. We all introduced ourselves, and shared various opinions on web site development and talked about our individual sites. One of the things mentioned was the use of microformats as a technique/technology for building websites. I had not heard of this before, and looked into it more after the meeting. I then wrote a post on what I was interested in exploring, and one of the items was “following other sites”. What I found in looking at other Indieweb-type sites was that they did not have any RSS feed for posts. Specifically, the two co-founders, Aaron Parecki and Tantek Celik, did not have feeds available for their sites. In the next meeting I attended, I brought this up. The response was that they were using microformats to encode data within their websites, and that there were microformat parsers which could read that formatted data and present it in a feed reader application. Aaron Parecki even did a hack on the Selfoss feed reader application to allow it to parse microformats-based sites and present site updates like a RSS feed reader would. I even wrote up some instructions on how to set this up (after the fact). In the meeting, however, I asked how the attendees expected people to keep up with site updates without some type of feed to monitor. Aaron’s response was that more people needed to adopt microformats. I said that this was a “boil the ocean” strategy and that people who use feeds to monitor sites expect to use RSS and Atom, not microformats.
Sometime after that, I noticed that both Aaron Parecki and Tantek Celik started providing a feed for their sites, although it was really a feed generated by some other application that was parsing their microformats stuff. For the next several years, though, the general trend in the group of websites that considered themselves to be part of the IndieWeb community focused on microformats and technologies that built on microformats as a building block. Over time, this overt position against RSS/Atom feeds has subsided, and (per the IndieWeb website), I would say the current focus is on the principles of (1) principles over project-centric focus, (2) publish on your site, and (3) design and UX come first, then protocols and formats are developed second. In that list, RSS and Atom become part of a “plurality of projects“, acknowledging that there can be “more than one way to do it”, as Perl devotees like to say.
The more active IndieWeb members (Aaron Parecki and Tantek Celik leading the way) have created a number of standards based on technologies grown from implementations on Indieweb websites (Webmention, Microsub, and Micropub). Time will tell if these develop into more mainstream technologies. I think Webmention (supporting site-to-site communication/commenting) is the furthest along (I have it enabled through WordPress plugin on my main site), but I am interested in exploring the others. RSS, though, has stood the test of time, and is still powering feed readers and podcast clients throughout the world. Dave Winer should rightly feel proud of his contributions in this area. RSS and podcasting are a crucial part of what I call (and others have called) the “independent web” (websites and web presences that are not part of a silo like Twitter, Facebook, etc, where people own their data and control it (also an IndieWeb principle)). The two areas (IndieWeb and independent web) share some features, but in my opinion, should not be considered “the same” – there are differences. My hope is that they can coexist and at times even work together, but always with respect (as the IndieWeb code of conduct states: “Be respectful of other people, respectfully ask people to stop if you are bothered….”).
Checking out IndieBlocks for WordPress
This weekend, I tried out the IndieBlocks plugin for WordPress websites. In 2019, WordPress moved to a new editor for weblog posts called Gutenberg, which uses “blocks” to insert different types of post formats (text, formatted text, video, embeds, etc.). IndieWeb developers had developed a plugin to support different post types, but it used the Classic Editor (now called), and did not support the Gutenberg editor. I played with the “Context” block, and was able to create bookmark, like, and reply posts. I did have a problem with creating a standalone Note using the IndieBlocks plugin (I created it, but it did not appear on the home page). However, the developer said that he is working on the issue.
Jan, I published a “Note” with the IndieBlocks plugin, but it is not showing up on my home page. When I click on the View link for the post in the Dashboard, I get an error message saying that the page does not exist. Any ideas?
John, I have installed the plugin and it seems to work, using it to reply to your post. Let me know if you see it!
Ton, thanks for noting this on your weblog, I am using the IndieBlocks plugin to create this reply, I will see how it goes!
I am experimenting with the IndieBlocks plugin, I am enjoying it so far!
The end of podcasting, chapter 59
This week, a Substack newsletter was posted about problems that podcasts from former podcast studio Gimlet Media were experiencing (getting cancelled). In 2019, Spotify purchased Gimlet Media for $230 million dollars (more here on other Spotify podcast acquisitions). Why did people think being acquired by a big company was going to allow them to keep their artistic freedom and continue to do things the way they had done them? Demonstration of control of the channel (a la CBS/NBC/ABC of the 60s/70s/80s – you had to convince them to approve your show to get on the air) – maybe go back to producing podcasts yourself? After all, you must have a lot of money after that acquisition. Chapter 57 of this story discusses the Joe Rogan move to Spotify, and I wrote in 2019 about how to avoid the corporate takeover of podcasting. As Joel Grey and Liza Minelli sang in the musical “Cabaret“, money makes the world go around. If people want to produce podcasts to make money, there are ways to innovate, but the best place to start is to make great podcasts.