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This week, a Substack newsletter was posted about problems that podcasts from former podcast studio Gimlet Media were experiencing (getting cancelled). In 2019, Spotify purchased Gimlet Media for $230 million dollars (more here on other Spotify podcast acquisitions). Why did people think being acquired by a big company was going to allow them to keep their artistic freedom and continue to do things the way they had done them? Demonstration of control of the channel (a la CBS/NBC/ABC of the 60s/70s/80s – you had to convince them to approve your show to get on the air) – maybe go back to producing podcasts yourself? After all, you must have a lot of money after that acquisition. Chapter 57 of this story discusses the Joe Rogan move to Spotify, and I wrote in 2019 about how to avoid the corporate takeover of podcasting. As Joel Grey and Liza Minelli sang in the musical “Cabaret“, money makes the world go around. If people want to produce podcasts to make money, there are ways to innovate, but the best place to start is to make great podcasts.
Thanks, Andy.
I believe a video of the conference will be published soon by the Tow Center (http://towcenter.org/). Much of it was slide-free, including the opening session with Chris Lydon and Dave Winer. (Hmm, maybe they should turn the audio into a series of podcasts.)